Wednesday, June 13, 2007

Safari Browser from Apple

I heard through the RSS world that Apple had released a windows version of Safari, so even though FireFox is so well established with me, I never have left a browser untried since Mosaic, so I downloaded the thing.

I was dismayed that it wanted to force me to reinstall iTunes, the aggressive store they want to establish on my desktop. I had un-installed iTunes just recently after trying to revive a dead iPod somebody gave me. I resisted, but then did install it to see if it would help make Safari run right.

Well, Safari di not run right at all. It installed OK, but came up with NO TEXT in the pull down menus, just little dashes where the working but secretive pull down choices were.
I re-installed, tried some things on the windows side, fiddled around, but could not seem to get it running. It even locked up the computer twice, so I re-booted to see if that was a requirement.

Then I got the inspiration! The last mac I owned needed these bit-mapped fonts to operate. Maybe Steve Jobs, Andy Hertzfield, Bill Atkinson, and those guys who signed the inside of my original MAC 128 in 1984 had left a requirement for those to be present!

Well, That didn't help either. The next thing I realized is I no longer know where to turn for help on Apple stuff. There is no better help, of course from Microsoft on their products, but at least I know where all the Technet searches are, and the forums, and all that. Surely in this release of Safari, I can not be the only one with this problem. But a few google searches seemed to indicate that I was the only one.

So the choice for now was to un-install with some regret, and wait for a few versions to shake out before trying again.



Thursday, May 31, 2007

John Philip Sousa



I played in one of the bands that took part in this year's Sousa festival. It was interesting on several levels, including that I met the great grandson, John Philip Sousa IV, and the governor proclaimed it to be John Philip Sousa Day in Connecticut.
Here was my email to the community band mailing list:



Friday, May 04, 2007

I don't have vertigo, just out on the walkway.


I have seen this in the news, both in the planning stages and since it was open, and it does bring out the shivers in me. The Grand canyon glass walkway, skywalk, or glass bridge or whatever you call it. I wonder if I would have the strength to overcome the vertigo and go out on it. On first thought, I love it when you see that view - once I saw it in one of those dome projected i-movies or whatever they are called, where you are in a small plane as it glides over and through the canyon, swooping and looking straight down as it goes over the edge, looking down to the river so far away. I would love to see that view, but I might be petrified by the experience, who knows.

Saturday, April 07, 2007

Just an interesting creature department:

You know those little grey or brown rolly bugs that Mom used to call "Potato Bugs" but really were something else? They rolled up into a little ball when they were hassled?
They apparently are in the "isopod" family biologically, (word origin: equal foot?) and low and behold some of their scary 2000 leagues (ft?) under the sea cousins have been found.
" Here is the giant isopod, known scientifically as Bathynomus giganteus,
















is the largest known member of the isopod family. It is very closely related to the small pillbugs that you can find in the garden. It is a carnivorous crustacean that spends its time scavenging the deep ocean floor. Food is extremely scarce at these great depths, so the isopod has adapted to eat what ever happens to fall to the ocean floor from above. It will also feed on some of the small invertebrates that live at these depths. Giant isopods are known to reach a size of over 16 inches in length and are one of the largest members of the crustacean family. These animals are very prehistoric in appearance. When threatened, they can roll themselves into a tight ball where they are protected by their strong, armor-plated shells. They have complex mouths that contain many components that work together to pierce, shred, and disembowel live or dead prey. Giant isopods are all over the world at depths of over 2000 feet".

I am quoting here from this page: OddWeek - 10 Horrible Deep See Creatures

Wednesday, April 04, 2007

Back on line with 3D rotating graphics!

I originally posted this on my Catchall blog while Google was playing error games with my right good blog. It finally is fixed now, but I got a strange message from Google implying that it fixed itself, which is impossible. Anyway, I thought I would post this very very cool slide show gimmick I found on a blog and traced to "picture trail" a flicker-type photo web site. Here are some of our pictures:
====

Cool Slideshows

Neat the way it has the transparency and the 3D glass effect, proving that computers somehow got beyond the number crunching machines they were designed to be.

Monday, February 19, 2007

Henry Filmore Arrangements



I think we all are interested in people with a sense of humor - usually these people are obscure and ordinary, but in this case it's someone who was famous, at least in the field of band composers. Henry Fillmore wrote sometimes humorous, but always difficult rags, marches and jazzy things in the early 1900's. They often featured trombones. According to Herb Brock, staff writer for gabbf.com, Filmore was born in 1881 and lived to the age of 75. He wrote under many funny pseudonyms such as Gus Beans, Will Huff and Henrietta Moore. Two of his wonderful marches by his real name that I have played in several bands are "Men of Ohio" and "Klaxon", the latter featuring an "ooOO-ga" horn also known as a klaxon horn in the middle and was a fast moving march, almost to circus speed. Early in his life, Fillmore had run away and joined the circus to play in the band, so he was surely influenced by that.

You can tell from his music and from reading his bio that he was always joking and doing unconventional things, and kidding his more serious colleagues. I often play in the Babcock Cornet Band, which existed all the way back to civil war times. We have some old-time musical gems in our library, one of them is a lyre sized booklet of Filmore Trombone marches that feature the trombones smearing with their slides. This book is: "TROMBONE FAMILY ~ A collection of 15 Original and Humorous Trombone Novelties for Band." It has no copyright or date on it, but probably this was published between 1908 and 1920. The titles to these pieces, and the whole book is not "PC" or Politically Correct by today's standards, since it uses black pigeon English and minstrel type images. The marches themselves are real crowd pleasers, with the trombones smearing and sliding all through them in a sort of raucous manner. Here are some title clips




















Here are all 15 titles:

Miss Trombone - A Slippery Rag
Teddy Trombone - A Brother to Miss Trombone.
Lassus Trombone - De Cullud Valet to Miss Trombone
Pahson Trombone - Lassus Trombone's "Ole Man"
Sally Trombone - Pahson Trombone's Eldest Gal. Some Crow
Slim Trombone - Sally Trombone's City Cousin - The Jazzin' One Step Kid
Mose Trombone - He's Slim Trombone's Buddy
Shoutin' Liza Trombone - One Step - Mose Trombone's Ah-finity
"Hot" Trombone - He's Jes a fren'ob Shoutin' Liza Trombone
Bones Trombone - He's jus' as warm as Hot Trombone
Dusty Trombone - March or One Step - He's de next door Neighbor to Bones
Trombone Bull Trombone - A Cullud Toreador - March and One Step
Lucky Trombone - He's de thirteenth member ov de fambly - March
Ham Trombone - A Cullud Bahbaque - Novelty March
Boss Trombone - He's De Head Man - Novelty March

Here is a simple arrangement of Lassus in Real Audio© from a publisher.



Fillmore had a lot of fun with his music, but he was also well known fora series of instruction books he published, and many many other works. However, as I said above, he never settled for the ordinary. He reportedly married an exotic dancer.

Thursday, February 15, 2007

Clip Art Flipping Show

I have this collection of great clip art that used to come with Corel, that I actually own, and I think they even said I had the rights to use them. The clip art that comes with the newer versions is crap of lesser quality.

But for instance there were 787 artistic images of people in various occupations and garb. What are the chances that I would use these things after maybe 10 years. I think I used maybe two.

So a while back I got clever and sequenced them in a flipping movie that I just put up on YouTube to see how it looked. It came out better than I thought it would. Here it is below for your flipping pleasure.


Thursday, February 08, 2007

Fred's Magic

Another benefit of my volunteer work at the shelter is finding some nice people, and even some talented ones, like this guy Fred, a really clever and likable guy who plays the guitar and does magic as a hobby. He said he has been doing magic since high school.

Personally, Fred got laid off five years ago from a good job at one of the biggest employers in CT, "Electric Boat" that builds subs and stuff on contract for the government like the other big shipbuilder in Norfolk Virginia. After that layoff, his marriage fell apart, he drank too much and yadda yadda now is trying to get back on track, but it is hard, as you know, once you are down there. Anyhow, Fred and I had some good conversations, and I took this video of me trusting him to give me my ten dollar bill back.

Friday, January 05, 2007

Homeless Shelter

I guess I have to admit it is partly because of my cancer thing that I was motivated to volunteer at the homeless shelter, but I'm glad I did. It has been interesting so far. Betty, the geriatric nurse who was a friend and a help to Martha's mother before we came up here, and has become our friend too, talked me into this, and we volunteer together on Wednesday evenings. I also signed up alone for every other Saturday. I have already mastered the intake paperwork and the handing out of towels.

There are only 15 beds, and the shelter is an emergency overnight place where guests can stay only 14 days max and then wait 30 days till eligible again. It's open from 6PM to 7AM. If they are under any influence, they are turned away, which is hard to tell them now that the nights are so cold. We do have lists of other shelters, rehabs, resources to help them find another place if we can, but some are beyond that. The director, a wonderful aging hippie guy, often counsels the guests during the day when the shelter is closed.

Contact with the guests, interacting with them and trying to let them know we are all in this world together, is part of the job, it seems, and has been a satisfying thing for me, although sometimes I feel they should be, or actually are, comforting me as well.

Wednesday, December 20, 2006

God Bless America

Feeling Patriotic? God Bless America!
Just found this clip of the band I used to play in, The Farmington Valley Band. They recorded this track a couple of years back for a CD. I consider myself still a member, though I haven't been able to drive over there this past year to participate. It's on the other side of Hartford in Collinsville, about 45 minutes' drive from here. The pretty little Collinsville historically was an industrial town back in the time of the Talcottville Mill heyday, from the 1830's - 1890's but it produced Axes and implements instead of woolens and fabrics. We practiced in a building that went back to those days.

The musical arrangement includes some nice euphonium work by a friend named Chester, who is over eighty years old. You can hear it lofting above the rest. Also a strong vocal by Mark, who plays many instruments well, and sings operatic style.


Sunday, December 17, 2006

Chinese Translation - a Parable

This song is so haunting and cozy, I can't help myself
listening to it many times. Ward's voice reminds me
of other singers, maybe Hoagy Carmichael or something.
These lyrics have extra meaning for me as well, somehow
searching for answers that might not exist.

Sing along with me:

I sailed the wild wild sea
climbed up a tall tall mountain
I met an old old man
beneath the weeping willow tree
he said now if you've got some questions
go and lay them at my feet,
but my time here is brief
so you'll have to pick just three.

and I said,

what do you with the pieces of a broken heart?
and how can a man like me remain in the light?
and if life is really as short as they say
then why is the night so long?

and then the sun went down
and he sang for me this song

see I once was a young fool like you
afraid to do the things that I knew I had to do
so I played an escapade just like you
I played an escapade just like you

I sailed the wild wild sea
climbed up a tall tall mountain
I met an old old man
he sat beneath the sapling tree
he said now if you've got some questions
go and lay them at my feet,
but my time here is brief
so you'll have to pick just three.

and I said,

what do you with the pieces of a broken heart?
and how can a man like me remain in the light?
and if life is really as short as they say
then why is the night so long?

and then the sun went down
and he played for me this song
. . . .

Monday, December 04, 2006

Christmas Lighting 1955

As the Advent month progresses,
I again wax nostalgic to a simpler time . . .
December 22, 1955, LeRoy, NY











































To see the entire page click here.

Wednesday, November 08, 2006

Strange Tree



I thought I got a better picture of this, but this snap from the front seat of my old Ford Explorer will have to do. We again saw this solitary does-not-fool-anyone pine(?) on the Hutchison Parkway near the CT line on our trip down to NYC. There is another one up in the median of the highway just outside of Boston. Of course they are cell towers with fake branches. Blends right in with the other trees, eh? Actually, at this distance they look their best. As you get closer they look increasingly ugly since they are so obviously fake. I just wish I had a wise and witty statement about them, other than, "Why do they bother?" but if you can come up with any, please add a comment.

Saturday, October 28, 2006

Floral Flickr Flick

I found a neat slide show flash thing that shows pictures that you have uploaded
to Flickr.

Here is what it looks like:

The Quiz is to tell which photos were not taken by us.


Instructions on how to do this are here:

Tuesday, October 17, 2006

L'Attitude Women's Barbershop

My sister got to the national semifinals of the Sweet Adelines this year!
Great quartet called L'Attitude.
Watch and listen. Captured from the webcast.

Saturday, September 23, 2006

NEWGATE PRISON

(Sorry, this is a long post, but an interesting bit o' history- rgb)

"Attend all ye villains that live in the state,
Consider the walls that encircle Newgate."

NEWGATE is the name of a famous prison in London. It is called "Newgate" because it was first built, centuries ago, over a new gate in the wall of the city. Later, when these rooms over the gate became too crowded, a larger prison was built near by and called by the same name.

There was once a Newgate prison in Connecticut. It was named for the old English one, but, instead of being up over a gate, it was down underground in a copper-mine. There was no entrance to it except by a shaft thirty feet deep, and the colonists chose this place for its security, yet the history of Newgate in Connecticut is full of tales of the daring and successful escapes of its prisoners.

Copper Hill, where the prison was, is in what used to be the town of Simsbury, but is now East Granby. The copper-mines there were opened early in 1700, and were worked for about sixty years. The copper is said to have been of good quality. In 1737-39, coins were made from it - some say by Dr. Samuel Higley who owned a mine near his home. These coins were never a legal tender, but were used as "token money," because small change was scarce in the colonies. They are valuable to-day because they are very rare. Granby coppers have on one side a deer standing, and below him a hand, a star, and III, and around him the legend, "Value me as you please." On the other side are three sledgehammers with the royal crown on each hammer, and around them either the word "Connecticut," or the legend, "I am a good copper," with the date 1737. A third kind has one broadaxe and the legend, "I cut my way through." There is a specimen of each of the three kinds of Granby coppers in the Connecticut State Library at Hartford

The mines were quite successful at first, but, as the colonists were not allowed to smelt and refine the ore in America, they were obliged to send it all the way to England, and this was very expensive. Sometimes, too, the ships carrying copper did not reach England at all. One was wrecked in the English Channel and another was seized by the French during a war with England. So in 1773, a few years before our Revolutionary War, the mines were given up and the largest of them was changed into a prison.

At first there were no buildings at all. There was nothing but a hole in the ground, closed by an iron trapdoor that opened into the shaft, where a wooden ladder was fixed to the rock at one side. At the bottom of the ladder there was a flight of rough stone steps leading farther down into the mine. All was dark and still except for the dripping of water along the galleries that led away into the heart of the hill. One cavern was blasted out to make more room and was fitted with wooden cells and bunks for the prisoners to sleep in, and at night a guard was set to watch the entrance up above and prevent any one from climbing the ladder and getting out. When everything was ready, the committee in charge of the work reported that it would be "next to impossible for any one to escape from this prison."

The first prisoner sent there was a man named John Henson, who was committed on December 22, 1773. He spent eighteen days alone in the mine; then, on the night of January 9, 1774, he disappeared. No one could imagine how he got out. But there was another shaft leading up from the mine, a very deep one, where the copper ore had been drawn out. It had no ladder in it and its opening had not been closed, because it did not seem possible for a prisoner to escape that way. Yet a woman drew John Henson up eighty feet through the shaft in a bucket used for hoisting copper. After that, this shaft, too, was carefully closed and a strong wooden guardhouse was built over the entrance to the other one.

More prisoners were soon committed to Newgate.

"Burglars, horse-thieves, and counterfeiters," according to the law, were sent there and they were set to work mining copper, but instead of doing this, they dug their way out with the mining tools; so workshops were built aboveground where they made nails, boots and shoes, wagons, and other things. They slept in the mine as before, but at daylight they were called and came up the ladder in squads of three at a time under a guard, climbing as well as they could with fetters on their legs. They took their meals in the workshops and were chained to the forges and workbenches until late in the afternoon, when they went down again into the mine for the night.

When the Revolutionary War began, in 1775, political prisoners were sent to Newgate in Connecticut, just as such prisoners had often been sent to old Newgate in England. These men in America were the Tories, or Loyalists, who sympathized with the British and were often found giving them information and help. To protect themselves the Americans arrested them. Some of the first were sent by Washington from the camp at Cambridge where the American army was besieging Boston.

Here is a part of his letter to the Committee of Safety at Simsbury; its date shows that it was written several months before the Declaration of Independence by the Continental Congress in Philadelphia:-

CAMBRIDGE, December 7th, 1775.
GENTLEMEN:
The prisoners which will be delivered to you with this, having been tried by a court martial, were sentenced to Simsbury in Connecticut. You will therefore have them secured so that they cannot possibly make their escape.
I am, etc.
GEORGE WASHINGTON.


But the Tories were just as anxious as any other prisoners to escape if they could. Three times the wooden guardhouse over the entrance was set on fire and burned down. Once, when there were a great many Tories in Newgate, they made a concerted plan and carried it out successfully. The wife of one of them had permission to visit him, and came to the prison one night about ten o'clock. Only two guards were on duty then at the mouth of the shaft. When the trapdoor was lifted for her, the prisoners were all ready and waiting on the ladder. They rushed out, overpowered the two men, took away their muskets, and got possession of the guardroom. The rest of the watch, who had been asleep, hurried in, and there was a desperate fight; one man was killed and several were wounded. At last the prisoners succeeded in putting all the guards down into the mine and closing the trapdoor upon them. Then they escaped themselves, and few of them were ever retaken.

A story is told of a Tory prisoner who, about the year 1780, made his escape in a remarkable and unexpected way. There was an old drain in the mine which had once carried off water, but when the mine became a prison it was stopped up with stone and mortar, except for a small opening where the water still ran off between iron bars. The outlet of this drain was far down on the hillside beyond the sight of the guards. The prisoner, Henry Wooster, who worked in the nail-shop, contrived to hide some bits of iron nail rods in his clothes and carry them back with him into the mine. He learned, with their help, to take off his fetters at night. Then, with the same bits of iron, he worked at the bars of the drain until, little by little, he loosened some of thorn and took them out so that he could crawl through into the drain. But the drain was too narrow in some places to let him pass, and he was obliged to loosen and remove some of its stones. This was a long and hard task, but he was not easily discouraged. Each night ho took off his clothes and his fetters, crawled into the drain, and worked until morning. Then he replaced the iron bars, dressed, put on his fetters, and was ready when the guards came down to go up to the shops with the rest of the prisoners. By and by he got neary to the end of the drain. Then one night, while he was down there, a stone, which he had accidentally loosened, fell behind him and blocked his way back. He could not turn to reach the stone with his hands, for the drain was too narrow, he could not stir it with his feet, and he dared not cry out for help; time passed, and it was almost morning; he would be called and missed, and he shuddered to think of the consequences. At last, as he was about to give up in despair, he felt the stone move just a little. Bracing himself against the sides of the drain, he pushed it vigorously with his feet. Slowly, inch by inch, it rolled back until it fell into a slight depression so that he could pass over it. Bleeding and exhausted, he got to his bunk and into his clothes and fetters again just as the guards came down the ladder. A few nights later he finished his work and, with several other prisoners, escaped through the drain.

Some of the Tories in Newgate were well-known and educated men. One was a clergyman named Simeon Baxter. He preached a sermon, one Sunday, to his companions in the mine, in which he advised them, if they could, to assassinate Washington and the whole Continental Congress. This sermon was printed afterward in London and proves how bitter the feeling was in those days between the Americans and the Tories.

After the Revolution, Newgate was the state prison of the State of Connecticut until 1827. New workshops and other buildings were added from time to time as they were needed. The wooden guardhouse was replaced by one of brick, and a strong stone room over

the mouth of the shaft went by the nickname of the "stone jug." There was a chapel and a hospital, but the hospital was seldom used because there was very little sickness. The pure air and even temperature in the mine, where it was never too hot in summer nor too cold in winter, kept the prisoners well in spite of darkness and confinement, and men who were sent there in a bad state of health often recovered.

At one time there was a strong wooden fence, with iron spikes on its top, around the enclosure, but in 1802 it was replaced by a stone wall twelve feet high, with watch-towers at the corners and a moat below it. Some of the prisoners helped to build this wall, and when it was finished they were allowed to take part in a celebration. One of them, an Irishman, gave this toast at the feast: "May the great wall be like the wall of Jericho and tumble down at the sound of a ram's horn."

But the wall is still standing on Copper lull after more than one hundred years and, although the prison is empty and the mines deserted to-day, a great many people visit the place every year because of its interesting history. Guides take the visitors down the steep ladder in the shaft and lead them through the under ground galleries where copper was mined, and show them the caverns where the prisoners once slept in old Newgate Prison.

From: Caroline Clifford Newton, Once Upon a Time in Connecticut

Sunday, September 17, 2006

Is this a crime?

There is just something so clever about this Grafitti artist - it is a way of getting around things that is somehow so great:

Paul Curtis aka Moose is no regular graffiti artist. In fact, he’s the reverse-graffiti artist. He created his street art by *cleaning* the dirt and grime off of surfaces!

Authorities are baffled: is selective cleaning a crime?

The tools are simple: A shoe brush, water and elbow grease, he says.

British authorities aren’t sure what to make of the artist who is creating graffiti by cleaning the grime of urban life. The Leeds City Council has been considering what to do with Moose. "I’m waiting for the kind of Monty Python court case where exhibit A is a pot of cleaning fluid and exhibit B is a pair of my old socks," he jokes.

Tuesday, August 08, 2006

Warren Barker

Warren Barker has died at the age of 83.
Well known as one of the great composers and arrangers of concert band music, he also was one of those people that everyone loved, and like to tell personal stories of their contacts with him.

A surprising percentage of the music in today's concert band repertoire was arranged by the master, Warren Barker. He was great at producing pieces for band that were medleys of musical selections from different genres, such as "Big Band" or "Show Tunes", or Andrew Lloyd Webber" and the like. He also composed original works. However he actually had such a deep career in music that went well beyond concert band music.

Earlier in is career he was in Hollywood, as arranger and musical director for movie studios and for TV studios as well. This is where he got the fame and credit for the "Bewitched" theme, and was responsible for adding the little ringing sound for the nose twitch (deetle-deetle-deeet). His dramatic style and flare from those days often showed up later in his band medleys and arrangements. You can see many things on the web about him, but here is a starting point.

Here is how "Space Age Pop Music" describes Warren Barker:

Best known for his jazzy score and best-selling soundtrack album from the television series, "77 Sunset Strip", Barker played piano and trumpet in school and then attended UCLA, where he studied under the composer Mario Castelnuovo-Tedesco. After serving in the Army Air Corps, where he played in a band, he returned to Los Angeles and began a long association with radio, television, and movie studios. He worked as staff director for Warner Borthers Record for nearly a dozen years, leaving in 1960 to focus on television work.

His TV credits include musical direction for the TV series "Hawaiian Eye" and orchestrations for such Nick-at-Night classics as "Bewtiched," "Daktari," "That Girl," and "The Flying Nun"--including that little xylophone thing that plays whenever Samantha (Elizabeth Montgomery) wiggles her nose to cast a spell. He imprinted a bit of 1970s cultural history into a generation's genetic code with his theme for the "Donny and Marie Osmond Show," "A Little Bit Country, A Little Bit Rock-n-Roll." Barker also wrote the scores for the films Strange Lovers and The Zebra in the Kitchen. He retired from the studio scene in the early 1980s and now devotes his time to writing and conducting original compositions for concert bands and wind ensembles.

My own personal story was that when I lived in Richmond Virginia, I was on the board of Richmond Concert Band when we commissioned Warren Barker to write a march for us for our 25th anniversary. He did so, and it turned out to be "Capitol Square March" now distributed nationally. Later he even came to Richmond from his home in South Carolina to guest conduct. I wrote him a letter last may, and his wife responded (by email, but apologized for that medium) telling me that Warren was ill, and was not able to reply himself, but my letter was a morale booster for him. Here is her address if you want to send condolences: Mary Barker 161 Rolling Green Cr Greenville SC 29615

Sunday, August 06, 2006

Progress

Well, I am a few weeks out from my last chemo session and still have one main evaluation appointment this week with the docs.

I know I am too impatient a patient, but I want to be back to whatever "normal" will be.

This disease has left me with problems that keep me on the disabled list. I am still out of breath all the time, my legs are still very painful and feel numb and "asleep" and stiffen up so that I walk very slowly and non-nimbly, afraid that I will fall. I also have that tingle and asleep feeling in my hands, and the loss of feeling in my fingertips makes even buttoning up a shirt a harder task than it should be.

I am saying this, not for sympathy, but that I have a hard time celebrating the otherwise successful chemotherapy when I don't feel cured at all, I feel like my body has not recovered from a beating in a burlap bag or something.

However, my hair is starting to return! Little dots of mustache hair and fuzzy dome hair:

Saturday, July 22, 2006

Richard Feynman


For years, I had a favorite memory of a little TV chat with Richard Feynman on PBS TV, that I really wanted to recall, and had hoped that it would have been in one of the books I read about him, but I never had found it. Of course when I got down to it, it took 10 minutes of Googling to find it.

As I remembered it rightly, Feynman amusingly described how we accept without amazement our ability to see, interpreting light waves going into our eyes, but would almost think it impossible if we knew how complex it really is.

Please, Please watch the video at the bottom of this link. It is magical, I think, especially how this guy whose mind day dreamed in advance mathematics and quantum theory, and beyond, could be so delighted and amazed, and be able to chat about these things. He explains on a simple level, things that are so complex. Imagine how it would have been to have him as a teacher!

the link: http://www.cnbc.cmu.edu/~masmith/mainsite/Feynman.html
the video: http://www.cnbc.cmu.edu/~masmith/media/feynman_long.mov